EDITORS

GIRISH BHARGAVA

Girish Bhargava is President and Senior Editor of Telstar Post, Inc., a video post-production facility located in New York City. In his thirty years of broadcast editing, Bhargava has won two Emmy Awards, several Monitor Awards and numerous industry citations. His work on the Adams Chronicles, a thirteen-hour dramatic event in 1976 earned him his first Emmy Award. In 1991, Bhargava received his second Emmy for the CBS Television special, The Muppets Celebrate Jim Henson, directed by Don Mischer. Also that year, he edited the Peabody Award winning, Everybody Dance Now for the PBS series, Dance In America. Other Emmy Award nominations include Bob Fosse: Steam Heat and The Hard Nut, both for Great Performances. In 1994, Bhargava won the Monitor Award for Best Editor for his work on George Balanchine’s The Nutcracker.

MARK SUTTON

Mark Sutton has been editing documentary and arts-related programming for more than twenty years. He is currently Series Editor for PBS’s Wide Angle and is cutting two one-hour shows for Art 21: Art in the Twenty-First Century which will air on PBS in October, 2009. He lives in upstate New York.

FILM SUBJECT

SOKVANNARA (SY) SAR

Sokvannara (Sy) Sar was born in Siem Reap, Cambodia, where he studied traditional Khmer dance from the age of ten at the Wat Bo School. He often performed with the School’s troupe at Preah Khan Temple for guests of the World Monuments Fund. In 2000, Anne Bass, an American enthusiast and supporter of ballet, saw him there and was impressed by his talent and invited him to visit the School of American Ballet in NY.

Sar studied at the School of American Ballet for five years and ultimately joined Pacific Northwest Ballet in Seattle when his teacher, Peter Boal, became Artistic Director.

Sar was a semifinalist in the International Ballet Competition, Varna, where he performed variations from Giselle, La Sylphide, Coppelia, and Le Corsaire. He was also a guest artist at the cross cultural evening at the Chatomuk Theatre to celebrate the opening of the new United States Embassy complex in Phnom Penh, where he danced variations from Square Dance, Tschaikovsky pas de deux, and Le Corsaire. He has originated roles in Benjamin Millepied’s On the Other Side, 28 Variations of a Theme by Paganini, and 3 Movements. In July, 2008, Sar performed On the Other Side, accompanied by Philip Glass, for the opening night of the Vail International Dance Festival. In addition, he has danced featured roles in George Balanchine’s La Sonnambula,William Forsythe’s One Flat Thing, reproduced, Kent Stowell’s The Nutcracker, and Twyla Tharp’s Waterbabies Bagatelle.

While still in Cambodia, Sar placed third in the National Japanese Language Competition. During his years at the School of American Ballet, Sar also attended Professional Children’s School, from which he graduated in 2003 with honors. He has attended Fordham University and Seattle Community College.

TEACHERS & COACHES

CAMBODIA

BORAN KIM

Madame Boran was a dancer with the Royal Cambodian Ballet before the Khmer Rouge regime. As one of the few dancers to survive the genocide she later established her own school in Siem Reap, at Wat Bo. Her troupe has appeared at many venues in Siem Reap and their performances at the ancient Khmer temple of Preah Khan, whose restoration was sponsored by the World Monuments Fund, were always a highlight for visitors to the temple.

KEO SA ROEUM

This master teacher worked with Madame Boran at her school at Wat Bo. He is now the Director of the School of Dance and Music at Banteay Srei. The school was founded by Ravynn Karet-Coxen, chairman of the Nginn Karet Foundation for Children, and it is under the patronage of the celebrated Khmer dancer, HRH Princess Buppha Devi, and is the first academy to bear her name.

UNITED STATES

OLGA KOSTRITZKY

Olga Kostritzky is a world recognized ballet teacher/mistress. For the past twenty years, she has served as a faculty member at the School of American Ballet at Lincoln Center, the official school of The New York City Ballet. During her tenure at SAB, Kostritzky created and developed The Boys Program. In 2009 she was the guest teacher for Igor Zelensky, the director of the Ballet Company of the Novosibirsk State Opera and Ballet Theatre. During the 2007–2008 seasons Kostritzky was the Teacher/Mistress for the acclaimed Morphoses, The Wheeldon Company. Kostritzky also served as the Ballet Teacher/Mistress during the 2007–2008 season of The Vail International Dance Festival. In 2004 – 2005 she was a teacher for Benjamin Millipied at the Choreographic Institute in East Hampton, New York.

Recipient of The Senate State of New York Award for her contribution to the arts, Kostritzky also received the Mae L. Wien Award for her distinguished service to the art of ballet. Known for extreme attention to detail, she is highly respected as a teacher/coach, among her peers, students, and dancers.

PETER BOAL

Peter Boal has been the Artistic Director of Pacific Northwest Ballet and Director of PNB School since 2005. During his twenty-two-year career as a dancer with New York City Ballet, Boal worked with Balanchine, Jerome Robbins, and Peter Martins, and originated roles in over thirty new works. He received his training at the School of American Ballet, joined New York City Ballet in 1983, and was promoted to principal dancer in 1989. From 1997 to 2005, he was a full-time faculty member at SAB. In 2004 he founded Peter Boal and Company, a critically-acclaimed chamber ensemble. In 1996 Mr. Boal received the Dance Magazine Award, and in 2000 he received a New York Dance and Performance Award.

JOCK SOTO

Acclaimed during a twenty-four-year performing career at New York City Ballet for the incomparable skill and artistry of his partnering technique and for his versatility as a performer in both traditional and contemporary neoclassical ballets, Jock Soto has been a faculty member at the School of American Ballet since 1996, where he teaches partnering, male technique, and classical variations classes to pre-professional, intermediate, and advanced students.

At the age of five, he began studying ballet with local teachers after seeing a television special featuring Edward Villella in the “Rubies” section of George Balanchine’s Jewels. Beginning in 1977 Soto continued his studies at SAB, where he danced the role of “Luke” in Peter Martins’s The Magic Flute, which was choreographed for the 1981 Workshop Performances. That year he became a member of New York City Ballet’s corps de ballet. In June 1984, he was promoted to the rank of Soloist, and one year later he was named Principal. He retired from performing in June 2005. Soto’s extensive repertory at New York City Ballet included principal roles in numerous works by George Balanchine, Jerome Robbins, and Peter Martins. He also inspired the creation of roles in many new ballets, including Peter Martins’s A Schubertiad (1984), Ecstatic Orange (1987), Fearful Symmetries (1990), Jazz (Six Syncopated Movements) (1993), Sinfonia (1993), and Morgen (2001); Christopher Wheeldon’s Slavonic Dances (1997), Mercurial Manoeuvres (2000), Polyphonia (2001), Morphoses (2002), Liturgy (2003), Shambards (2004), and After The Rain (2005); and Lynne Taylor-Corbett’s Chiaroscuro (1994).

BENJAMIN MILLEPIED

Benjamin Millepied was born in Bordeaux, France, and began his dance training at the age of eight with his mother, a former modern dancer. He studied in 1992 at the School of American Ballet, the official school of New York City Ballet, and returned a year later with a scholarship from the French Ministry to study full-time. Millepied originated a principal role in the world premiere of Jerome Robbins’s 2 & 3 Part Inventions at SAB’s 1994 Spring Workshop performance. He joined New York City Ballet in 1995 and was promoted to principal dancer in 2001.

In addition to his career as a dancer with NYCB, where his repertory includes featured roles in works by Balanchine, Robbins, and Martins, Millepied began choreographing in 2001, creating his first work, Passages, for the Conservatorie National de Lyon. He has since created works for American Ballet Theatre (From Here On Out), Pacific Northwest Ballet (3 Movements), Paris Opera Ballet (Amoveo, Triade), and the School of American Ballet (28 Variations of a Theme By Paganini). In 2005, Millepied choreographed a full-length production of Casse-Noisette for the Grand Théâtre de Genève, featuring sets and costumes designed by artist Paul Cox and returned two years later to create a new production of Petrouchka with the same design team. The Joyce Theater presented seasons of his choreography in 2006 and 2008 each with a world premiere: Closer with composer Philip Glass playing his own piano score and Without. He collaborated with filmmaker Olivier Simola on a solo work for Mikhail Baryshnikov in 2006, and served as “choreographer in residence” to the Baryshnikov Arts Center, New York, that same year.

DAMIAN WOETZEL

Damian Woetzel is a producer and director of dance and music performances. He is the artistic director of the summer Vail International Dance Festival, the Artist-in-Residence of the Aspen Institute, and is a frequent speaker on arts policy. Woetzel was a Principal Dancer at New York City Ballet from 1989 until his retirement from the stage in June of 2008, and he has choreographed a number of ballets for NYCB among other companies. Woetzel was the artistic director of the New York State Summer School for the Arts School of Ballet from 1994–2007, and he holds a Master in Public Administration Degree from Harvard’s Kennedy School. Woetzel works and resides in New York City and Connecticut.

BALLET SCHOOL

THE SCHOOL OF AMERICAN BALLET

The School of American Ballet, established in New York City in 1934 by George Balanchine and Lincoln Kirstein, is the preeminent ballet academy in the United States today. The peer of state-supported schools in England, France, Denmark, and Russia, SAB has trained countless dancers who have gone on to join New York City Ballet and dozens of companies worldwide.

BALLET COMPANY

PACIFIC NORTHWEST BALLET

Pacific Northwest Ballet, one of the largest and most highly regarded ballet companies in the United States, was founded in 1972. In July 2005, Peter Boal became Artistic Director, succeeding Kent Stowell and Francia Russell, Co-Artistic Directors since 1977. The company presents more than one hundred performances each year at Marion Oliver McCaw Hall and on tour. The company has toured to Europe, Australia, Taiwan, Hong Kong, and Canada and throughout the United States. Founded in 1974 and currently under Boal’s direction, Pacific Northwest Ballet School is nationally recognized as setting the standard for ballet training and offers a complete professional curriculum to over 950 students, as well as comprehensive dance education to over 10,000 adults and children each year through classes and outreach programs.

BALLET COMPETITION

INTERNATIONAL BALLET COMPETITION, VARNA

The International Ballet Competition, Varna was established in 1964. Its first edition was held from July 2 to 13 at the Open-Air Theatre in Varna—the biggest sea resort of Bulgaria. It is the first professional international ballet competition in the world. In Bulgaria a remarkable creative atmosphere and a perfect organization have been established. One can speak of “the spirit of Varna” with respect to ballet on an international scale. In complexity and scope, the competition’s requirements exceed, in some cases several times over, those of similar events in other countries. Dancers must perform three works of classical choreography and two contemporary works. This optimum balance allows dancers to display the full range of their creative and technical abilities. http://www.varna-ibc.org

EMBASSY PERFORMANCE

US EMBASSY PERFORMANCE JANUARY 2006

A Celebration of American and Cambodian Music and Dance took place in Chatomuk Conference Hall, Phnom Penh on January 16, 2006. Nearly five hundred guests were treated to a special evening of entertainment to mark the opening of the US Embassy’s new facility in Phnom Penh. This multi-act performance featured a variety of American and Cambodian entertainers, including Sokvannara Sar, Kung Nai, Suon Peng, CoCo York, and D. D. Jackson. The event

was taped by TVK. http://cambodia.usembassy.gov/january_16_2006.html

SUPPORTING CAST

ROLAND ENG

Roland Eng served as Cambodian Ambassador to the United States from 1999–2004. Prior to his posting in Washington, Ambassador Eng resided in Bangkok from 1994–1999. During that time, he re-established Cambodia’s diplomatic relations with Malaysia, Singapore, and Thailand.

Ambassador Eng’s career in public service has taken place amid some of the most turbulent times in the country’s history. In 1979, he served as Private Secretary to His Majesty Norodom Sihanouk, King of Cambodia. He enlisted the non-communist resistance from 1981–1990, operating primarily along the Thai-Cambodia border. Eng also participated actively in the Paris Peace Agreement which established the United Nations Operation in Cambodia in 1992 and was appointed Ambassador of the Supreme National Council of Cambodia to the United Nations in New York. With a return of democracy in Cambodia, he ran for election and served as a Member of Parliament and concurrently became the first member of Tourism of Cambodia in 1993.

Eng graduated from the University of Law and Political Science with a degree in public administration from Aix en Provence, France. He is actively involved in various foundations and NGOs, including Sobbhana Women Foundation and Global Fairness, and he is president of the Angkor Photo Festival and vice-president of Friends of Khmer Culture Inc (FOKCI).

FRED FRUMBERG

Frumberg worked for many years in opera houses and theaters throughout the US and Europe including seven years as assistant stage director to Peter Sellars, head of production for the Paris Opera, and staff stage director for the Netherlands Opera. In June 1997, Frumberg moved to Cambodia to assist in the revival and preservation of Cambodian traditional performing arts and in July 2003 founded AMRITA Performing Arts, a nonprofit production company based in Phnom Penh, committed to producing contemporary Cambodian dance and theater for local audiences and international tours with a focus on national capacity building in creativity and all areas of production and arts management.

RAVYNN KARET-COXEN

Founder of the Nginn Karet Foundation for Children, Cambodia in 1994, whose primary purpose is securing basic needs for the rural village people of Cambodia, Karet-Coxen has developed programs focused on clean water, hygiene, health care, vaccination, nutrition, malaria awareness, agricultural training, education, and literacy. The foundation works with 2,334 families in fourteen villages of the Banteay Srei district. She has also founded a traditional Khmer dance school for the children of these families under the patronage of HRH Princess Buppha Devi.

SELECTED MUSICIANS

DENGUE FEVER

Formed in 2001 by brothers Ethan and Zac Holtzman, who were inspired after a trip to Cambodia, Dengue Fever combines psychedelic and surf-rock with vintage Cambodian pop music to create a unique and genre-bending sound. With a Cambodian lead singer, Chhom Nimol, who sings primarily in Khmer, and a backing band of American rock and rollers, Dengue Fever’s sound is unique andaddictive. The members of Dengue Fever include:

Their song Both Sides Now, originally written and recorded by Joni Mitchell, appears in the film.

SAPOUN MIDADA

Cambodian singer/songwriter, Sapoun Midada, 29, has been in the music industry for only a short time, but he hasbecome a megastar almost overnight by singing and performing his self-written songs, a majority of which have become instant hits.

Midada graduated in French literature and music. He was a police officer and a journalist before entering the music industry. His meteoric rise is largely attributed to his songwriting talent and unique voice, which have made him one of the best-known musical stars in Cambodia today.

His song Dear Father, Dear Mother is featured in the film’s opening, a center montage, and the credits.

FLORA ARBITMAN

Born in the Ukraine, Flora Arbitman started playing the piano when she was five and was accepted to attend a school for gifted children. Beginning her unique style of classical improvisation at an early age, she performed frequently at prestigious concert halls in the Ukraine. She graduated from the Kirov Conservatory of Music with honors and immigrated to the US in 1979.

Arbitman’s style of playing is refreshing; her talent for creating a counterpoint between rhythm and movement makes her music most appropriate for ballet class. Her ability to shape not only rhythm but mood ensures she is much in demand at Steps and the School of American Ballet. She has recorded her original arrangements for ballet class on a CD, which is distributed through Roper Records. Arbitman’s music and original compositions appear throughout the film.

PHILIP GLASS

Through his operas, his symphonies, his compositions for his own ensemble, and his collaborations with artists ranging from Twyla Tharp to Allen Ginsberg, Woody Allen to David Bowie, Philip Glass has had an extraordinary and unprecedented impact upon the musical and intellectual life of his times. The operas—Einstein on the Beach, Satyagraha, Akhnaten, and The Voyage, among many others—play throughout the world’s leading houses, and rarely

to an empty seat.

Glass has written music for experimental theater and for Academy Award-winning motion pictures such as The Hours and Martin Scorsese’s Kundun, while Koyaanisqatsi, his initial filmic landscape with Godfrey Reggio and the Philip Glass Ensemble, may be the most radical and influential mating of sound and vision since Fantasia. His associations—both personal and professional—with leading rock, pop, and world music artists date back to the 1960s, including the

beginning of his collaborative relationship with artist Robert Wilson. Indeed, Glass is the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music—simultaneously.

Glass was born in 1937 and grew up in Baltimore, before studying at the University of Chicago, the Juilliard School and in Aspen with Darius Milhaud. Finding himself dissatisfied with much of what then passed for modern music, he moved to Europe, where he studied with the legendary pedagogue Nadia Boulanger (who also taught Aaron Copland, Virgil Thomson, and Quincy Jones) and worked closely with the sitar virtuoso and composer Ravi Shankar. He returned to New York in 1967 and formed the Philip Glass Ensemble—seven musicians playing keyboards and a variety of woodwinds, amplified and fed through a mixer. Glass has collaborated with Paul Simon, Linda Ronstadt, Yo-Yo Ma, and Doris Lessing, among many others. He presents lectures, workshops, and solo keyboard performances around the world, and continues to appear regularly with the Philip Glass Ensemble.

A Film by

Anne BASS

Producers

Anne BASS

Catherine TATGE

Editors

Girish BHARGAVA

Mark SUTTON

Assistant Editor

Daniel OH

_____

Directors of Photography

Bob ELFSTROM

Anthony FORMA

Tom HURWITZ

Additional Camera

John Gordon HILL, SEATTLE

Robert MEACHAM, VAIL

Sound

Ray DAY

Michael KARAS

Charlie TOMARAS

Graphic Design

Richard PANDISCIO

Associate Producers

Jill CAMPBELL

Anna MILLER

Advisors

Holly BRUBACH

Nancy DALVA

Julian LETHBRIDGE

Translator and Advisor

Supharidh HY

_____

Still Photography

Anne BASS

Additional Photography

Erin BAIANO, VAIL INTERNATIONAL DANCE FESTIVAL

Paul KOLNIK, SCHOOL OF AMERICAN BALLET

Rex TRANTER, PACIFIC NORTHWEST BALLET

Stoyan LEFEDZHIEV, VARNA INTERNATIONAL BALLET COMPETITION

Anton STOYANOV, MORSKI TRUD

Additional Footage

Anne BASS

Gwendolen CATES, “WATER FLOWING TOGETHER”

TVK Cambodia

Gunawadh KEM, GENERAL-DIRECTOR

INSA Electronics, Varna, INTERNATIONAL BALLET COMPETITION

Zeida Cecilia MENDEZ, “BUJONES: WINNING AT VARNA”

Camera Three, CREATIVE ARTS TELEVISION, 1966

Graphics

Pandiscio Co.

William LOCCISANO

Class Pianists

Flora ARBITMAN

Sophie CHANDLER

Anna GORELIK

Alla REZNIK

David NICHOLS, NYSSA

Stephen BARNES, PNB

Dianne CHILGREN, PNB

Allan DAMERON, PNB

Christina SIEMENS, PNB

Cambodia Unit

Kulikar SOTHO, COORDINATOR

Srey OMNOTH, TRANSLATOR

Ros SOKHOM, PRODUCTION ASSISTANT

Seattle Unit

Neil BESTWICK, GAFFER

David NUGENT, PRODUCTION ASSISTANT

Transfer Services

Chromavision

Transcription

A Plus

Edward MURRAY

Recording of Original Music

Legacy Recording Studio

Chris MATTHEWS, SOUND ENGINEER

Heidi MARTIN, ASSISTANT ENGINEER

Assistants to Anne Bass

Sarah BURTON

Sharon MONAHAN

Corey ROBBINS

Whitney RUGG

_____

VERY SPECIAL THANKS TO

Sokvannara SAR

Olga KOSTRITZKY

Peter BOAL

AND

Pacific Northwest Ballet

Philip GLASS

Benjamin MILLEPIED

Jock SOTO

Damian WOETZEL

AND Vail International Dance Festival

CAMBODIA

Ambassador Roland ENG

Ravynn KARET-COXEN

AND children of Chhouk Sar Village

Fred FRUMBERG

AND dancers and musicians of Royal University of Fine Arts

Boran KIM

AND students of Wat Bo School

Keo Sa ROEUM

Family of Sokvannara SAR

Sithan SAR

Kimheang CHUNN

Vannareath SAR

Reathana SAR

Reathmony SAR

Vannary SAR

Vannarin SAR

SPECIAL THANKS TO

Hyatt BASS

Samantha BASS

Josh KLAUSNER

Shailly AGNIHOTRI

Christopher BREWER

Merrill BROCKWAY

Katherine BRYAN

Hugh BUSH

Nerou CHENG

Angus COOK

Gavin COXEN

Douglas CRAMER

Clarissa DALRYMPLE

Todd EBERLE

Rhoda GRAUER

Joy HENDERIKS

Sovat HENG

Barbara HORGAN

Judy HUDSON

Jasper JOHNS

Elizabeth Ross JOHNSON

Marshall KIM

Ken LEVIS

Joanna NEY

David NICHOLS

Anthony PAGE

Sokoeun POL

Angelina PRIL

Emily PRIL

Ruoth PRIL

Sinoun PRIL

Scott ROTHKOPF

Jerry SALTZ

David SHAFFER

Roberta SMITH

Ellen SORRIN

Glen TARACHOW

Deirdre TOWERS

Heather WATTS

Suzanne WEIL

Grahame WEINBREN

Pacific Northwest Ballet

Peter BOAL

Anne DABROWSKI

Paul GIBSON

Otto NEUBERT

D. David BROWN

Lia CHIARELLI

Doug FULLINGTON

Jill HANSON

Robert NELLAMS

Jennifer STEINER

Gary TUCKER

Dancers of Pacific Northwest Ballet

Patricia BARKER

Batkhurel BOLD

Casey HERD

Carrie IMLER

Carla KORBES

Ariana LALLONE

Christophe MARAVAL

Stanko MILOV

Louise NADEAU

Kaori NAKAMURA

Noelani PANTASTICO

Jonathan PORRETTA

Lucien POSTLEWAITE

Jeffrey STANTON

Mara VINSON

Miranda WEESE

Olivier WEVERS

Le YIN

Maria CHAPMAN

Karel CRUZ

Chalnessa EAMES

Rachel FOSTER

Benjamin GRIFFITHS

James MOORE

Seth ORZA

Lesley RAUSCH

Jodie THOMAS

Jessika ANSPACH

Alison BASFORD

Kari BRUNSON

Lindsi DEC

Adrienne DIAZ

Leanne DUGE

Kiyon GAINES

Laura GILBREATH

Taurean GREEN

Eric HIPOLITO JR.

Rebecca JOHNSTON

Barry KEROLLIS

Kylee KITCHENS

William LIN-YEE

Stacy LOWENBERG

Timothy LYNCH

Leah O’CONNOR

Sarah RICARD ORZA

Jordan PACITTI

Anton PANKEVITCH

Brittany REID

Abby RELIC

Liora RESHEF

Carli SAMUELSON

Sokvannara SAR

Josh SPELL

Claire STALLMAN

Jerome TISSERAND

Griffin WHITING

Kara ZIMMERMAN

Angkor Dance Troupe and Orchestra, LOWELL, MASSACHUSETTS

Jerome Robbins Dance Division, NEW YORK PUBLIC LIBRARY FOR THE PERFORMING ARTS

Jackie DAVIS

Michelle POTTER

Jan SCHMIDT

New York State Summer School for the Arts, SARATOGA

Mary DALY

Damian WOETZEL

Professional Children’s School, NEW YORK

School of American Ballet, NEW YORK

Vail International Dance Festival

John DAKIN

World Monuments Fund

CAMBODIA

Bophana Center, PHNOM PENH

Rithy PANH

Center for Khmer Studies, SIEM REAP

Philippe PEYCAM

Khmer Dance Project

Suppya NUT

United States Embassy, PHNOM PENH

Mark STORELLA

Jeff DAIGLE

_____

Music and Choreography

“Pouk Euy, Mey Euy” (Dear Mother, Dear Father)

WRITTEN BY Mom SOKUNTHEA AND Choum BUNTHOEUN

PERFORMED BY Sapoun MIDADA

“The Nutcracker”

MUSIC BY Pyotr TCHAIKOVSKY

CHOREOGRAPHY BY Kent STOWELL

PERFORMED BY Pacific Northwest Ballet

SCENIC AND COSTUME DESIGN BY Maurice SENDAK

“Fishermen’s Dance”

(TRADITIONAL)

PERFORMED BY Musicians of Angkor Dance Troupe, LOWELL, MASSACHUSETTS

“Dear 5”

WRITTEN BY Peter WHITEHEAD

PUBLISHED BY Peter WHITEHEAD

COURTESY OF Out of Round Records

“Traditional Cambodian Song”

PERFORMED BY Keo SARATH

Seven Horses Production, CAMBODIA

“Both Sides Now”

PERFORMED BY DENGUE FEVER

WRITTEN BY Joni MITCHELL

PUBLISHED BY Sony/ATV Tunes LLC

“Czardas”

Johannes BRAHMS

ARRANGEMENT AND PIANO BY Flora ARBITMAN

“Ballad from Ukraine”

ARRANGEMENT AND PIANO BY Flora ARBITMAN

“Russian Dance”

(UNUSED COMPOSITION FOR “SWAN LAKE”)

MUSIC BY Pyotr TCHAIKOVSKY

ARRANGEMENT AND PIANO BY Flora ARBITMAN

“Original Composition for Guitar”

Sokvannara SAR

“La Source”

CHOREOGRAPHY BY George BALANCHINE

© THE GEORGE BALANCHINE TRUST

MUSIC BY Leo DELIBES

PIANO BY Alla REZNIK

“Tombeau de Couperin”

MUSIC BY Maurice RAVEL

“28 Variations on a Theme by Paganini”

MUSIC BY Johannes BRAHMS

“Red Angels”

CHOREOGRAPHY BY Ulysses DOVE

PERFORMED BY Peter BOAL

“Maxwell’s Demon”

MUSIC BY Richard EINHORN

“Chiaroscuro”

CHOREOGRAPHY BY Lynn TAYLOR-CORBETT

PERFORMED BY Jock SOTO AND Rachel RUTHERFORD

MUSIC BY Francesco GEMINIANI

AFTER Arcangelo CORELLI’S Concerto Grosso “La Follia”

“Tchaikovsky Pas de Deux”

CHOREOGRAPHY BY George BALANCHINE

© THE GEORGE BALANCHINE TRUST

EXCERPT FROM “Swan Lake,” Op. 20, Act III

MUSIC BY Pyotr TCHAIKOVSKY

“Le Corsaire”

CHOREOGRAPHY BY Konstantin SERGEYEV, AFTER Marius Petipa

MUSIC BY Riccardo DRIGO / Adolphe ADAM

“Square Dance”

(Male Variation)

CHOREOGRAPHY BY George BALANCHINE

© THE GEORGE BALANCHINE TRUST

“Sarabanda”

MUSIC BY Archangelo CORELLI

“Konservatoriet”

MUSIC BY Holger PAULLI

“A Midsummer Night’s Dream”

MUSIC BY Felix MENDELSSOHN

“Giselle”

CHOREOGRAPHY BY Marius PETIPA

MUSIC BY Adolphe ADAM

“La Sylphide”

CHOREOGRAPHY BY August BOURNONVILLE

MUSIC BY Severin LOVENSKJOLD

“Coppelia”

CHOREOGRAPHY BY Arthur SAINT-LEON

MUSIC BY Leo DELIBES

“Carmina Burana”

CHOREOGRAPHY BY Kent STOWELL

MUSIC BY Carl ORFF

“La Sonnambula”

CHOREOGRAPHY BY George BALANCHINE

© THE GEORGE BALANCHINE TRUST

MUSIC BY Vittorio RIETI

PERFORMED BY Pacific Northwest Ballet

“On the Other Side”

CHOREOGRAPHY BY Benjamin MILLEPIED

“Etudes for Piano”

(Etude #5)

MUSIC BY Philip GLASS

PERFORMED BY Philip GLASS

COSTUME DESIGN BY Angela KOSTRITZKY

Square Dance

CHOREOGRAPHY BY George BALANCHINE

© THE GEORGE BALANCHINE TRUST

MUSIC BY Arcangelo CORELLI AND Antonio VIVALDI

PERFORMED BY Pacific Northwest Ballet

Filmed on Location in Cambodia

Temples of Angkor Wat (BY PERMISSION OF APSARA AUTHORITY)

Angkor Wat

Bayon

Angkor Thom Causeway and South Gopura

Royal Palace Angkor Thom

Preah Khan

Chouk Sar Village - Banteay Srei

Wat Bo Monastery

Wat Bo Dance School

Wat Swy Village

Filmed on Location in New York and Connecticut

Baryshnikov Arts Center Studios

Julian Lethbridge Studio

Rock Cobble Farm

Steps Studio

Filmed on Location in Seattle

Pacific Northwest Ballet, The Phelps Center

Marion Oliver McCaw Hall at Seattle Center

Filmed on Location in Vail

Gerald R. Ford Amphitheater

Post Production

Goldcrest

John J. DOWDELL III, HD COLORIST

Jay TILIN, HD FINISHNG ARTIST

Tim SPITZER, HD SUPERVISOR

Jean LANE AND Chris KENNEALLY, HD PRODUCERS

Jeanne SISON, AUDIO PRODUCER

Ben LAY, VIDEO TECHNICIAN

Haruko KAWANA, ASSISTANT VIDEO TECHNICIAN

Michael SUAREZ, SOUND EDITOR

Lew GOLDSTEIN, SOUND RE-RECORDING MIXER

Worlds Away Productions

Victor BARROSO, END CREDITS

Accounting

Patrick Admire, CPA

Patrick ADMIRE

Cathy LOVETT

Insurance

D. R. Reiff & Associates

Dennis REIFF

Production Legal Counsel

Gray Krauss LLP

Jonathan GRAY

Nicole COMPAS

Fair Use Counsel

Peter JASZI

Music Clearances

MediaMusic, USA

Mark REYNOLDS

Public Relations

42 West

Distribution Advisory Services

RingTheJing Entertainment Ltd.

Roger KASS

Cinematic Media

John SLOSS

Debra FISHER

North American Distribution

First Run Features

The dancers of the Pacific Northwest Ballet are members of the American Guild of Musical Artists AFL-CIO, the labor union representing professional dancers, singers and staging personnel in the United States.

The Pacific Northwest Ballet Orchestra is composed of musicians represented by the International Guild of Symphony, Opera and Ballet Musicians. Stage Crew work is performed by employees represented by I.A.T.S.E. Local #15 Wardrobe attendants provided by members of Theatrical Wardrobe Union #887, I.A.T.S.E. Photo of Twyla Tharp © by Marc von Borstel with permission of Pacific Northwest Ballet.

“A New Generation Marches to the Balanchine Drumbeat”

Jennifer DUNNING

From The New York Times, June 11, 2004

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Anne H. BASS

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